The Gold Rush parts of the narrative are particularly surreal and striking, with the to-the-death dynamic between Sam and Spillane taking on a doppelgänger dimension. Karp ( Radium Baby, 2013) imaginatively combines absurdism and adventure with snarky teenage sleuthing and a sense of the macabre in this ambitious sophomore effort. By the story’s end, unexpected fates and directions for Spillanes both past and present are revealed. More details on both quests then unspool in alternating chapters, with Spillane led through teasing traps by Alabama Sam (including, at one point, being forced to wear a tutu) and the teens, with Jet’s wisecracking younger sister Gina sometimes in tow, coming to suspect town elders of serious, indeed murderous, wrongdoing. Yet the teens soon join forces to follow new leads regarding the long-sought-after Spillane gold, including examining the insides of the never-completed model for a statue of the headless Spillane (as he was found long ago) now erected in the town plaza, and climbing up Skunks Dance’s nearby Spanish fortification ruins. These high schoolers initially seem to dislike each other, with Amanda sending a rock through Jet’s house and Jet managing to blow up her car. The story then shifts to modern-day Skunks Dance, introducing teen protagonists Jettison “Jet” Allan-Ashwood, son of circus acrobats, and Amanda Spillane, part of the still-fortune-seeking Spillane tribe. Spillane first met this elusive trickster when he showed up to swipe the Bible with a treasure map that was found on a Spaniard who had arrived, then died, at the Spillane family farm in Tennessee. Spivey Spillane, age 20, arrives in the California Gold Rush town of Skunks Dance on the trail of Alabama Sam. Two California teenagers search for an ancestor’s treasure in this comic novel that crosscuts between contemporary and Gold Rush eras.

Skunks Dance by St. John Karp